Sonisphere returns

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Dec 112009
 

Sonisphere returns to Pori, where last summer’s festival wasn’t exactly a thrillingly well-organized event.

The lineup is interesting: Slayer, Iron Maiden, Mötley Crüe, Alice Cooper. Mastodon is featured again. As is Anthrax. Who knows, they might have resolved their persistent vocalist issues by then.

This year the occasion lasts two days, so there’s even more things that can go utterly wrong.

Dec 082009
 

Wendy Pini's ElricWendy Pini‘s take on Elric, Michael Moorcock’s doomed prince from Melniboné is awesome indeed.

The film, begun in 1987, was never completed.

The life and times of a melancholic last son of a fallen empire, forever bound to his demon sword is not an easy topic for a movie. So it is with a considerable surprise that Chris and Paul Weitz’s planned trilogy arrives.

Dec 072009
 

Fifth Element posterSuperlative is an appropriate description for Luc Besson’s Fifth Element.

Everything in the sci-fi romp from 1997 is severely over the top.

Enjoyably so. For the most part. Luke Perry’s presence does not improve this movie either. Milla Jovovich, on the other hand, is in probably her finest role ever, and both Bruce Willis and Gary Oldman have been very appropriately cast in their roles as an everyman hero and a weird intergalactic criminal, respectively.

Some of the effects in the film were spectacular a decade ago – and the first glimpse into the truly three dimensional New York City still evokes a massive blob of sense of wonder.

Movie Monday #17: Superlative.

Dec 062009
 

Flickan som lekte med elden poster(This is a long overdue review, been so much otherwise occupied that this fell by the wayside).

Saw the middle part of Stieg Larsson’s Millennium-trilogy, Flickan som lekte med elden, and wasn’t quite as impressed as with the first installment. Daniel Alfredson’s film is made for television, and the lower production values than what Män som hatar kvinnor had are apparent.

The plot seems rushed, but that is borne out of necessity. The book is long, the movie cannot afford to explore every nook and cranny of the rambling take of many converging plotlines. A lot has been omitted, but the film still manages to make sense most of the time (and probably leads watchers who have not read the novel to wonder about the gaping holes).

Noomi Rapace as Lisbeth Salander continues to shine, even though the script turns her from a quiet hacker into a Remo Williams-type all around hero. But apart from her and Michael Nykvist as the male protagonist, the cast is mostly forgettable, probably the greatest damage of a much lower budget hit here.

Not bad, but compared to the potential this had, rather a disappointment.

As with the book, this is the first half of a bigger work, and the film cuts off at a very cliffhanger-y moment, laying the path for the third part Luftslottet som sprängdes, due out in Finland on the first of January.