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Archive of posts filed under the music category.

You CAN get it out of your head

unhearit.com logounhearit.com – the service to get rid of persistent earworms, songs that grab a hold and refuse to let go.

Obviously, the tactic is fighting fire with fire, so the poison may be worse than the cure…

Tavastia 40 Years

Tavastia Klubi logoTavastia-klubi, the rock’n'roll mecca of Helsinki, turns 40 years.

To celebrate the long history, the club is opening its archives.

Not in the form of recordings, unfortunately, but in showing who played when. The first ten years, the entire seventies, are now browsable.

That’s not a bar bill, THIS is a bar bill

Iron Maiden's bar billAn evening with Iron Maiden.

No idea how many people were involved. The tab, clocking in at just over 20000 kronor, is a formidable display of alcohol consumption nonetheless.

Gathering of Juggalos vs. Tuska

No contest which festival is the unsafe alternative. Unsafe even according to a pro wrestler.

Then again, Tuska is chronically safer than the domestic Tango festival.

Kula Shaker 2.02.1

Kula Shaker logoAll of sudden Kula Shaker is back with Pilgrim’s Progress. The record screamed “buy me” on the window of Keltainen Jäänsärkijä today.

And even more suddenly it turns out that they released an album in 2007 without any press. Strangefolk jumped to the very top of the stack.

Fear of the Dark

Iron Maiden’s almighty Fear of the Dark in the storm-ridden Sonisphere 2010 in Pori.

The darkness does add an extra edge to the song.

Controversial album art

The Strokes' Is This It coverWikipedia has a nicely begun, though officially incomplete list of controversies in album art.

Faith No More in Sauna

One of the bands I’ve mostly missed seeing live is Faith No More.

I had a very good shot at them last year, but fate (in the form of a sudden business trip to Berlin and an even more suddenly disappearing ticket offer) conspired to keep me out.

This year they played in Ilosaarirock. And based on the report it looks like the guys might come back in for more sauna-related punishment.

Barren Earth

Barren Earth logoThe “best new band of 2010″-award has been firmly gripped by Barren Earth.

Barren Earth plays progressive/melodic metal with serious doom/death overtones. Not much unlike Opeth at all.

Haven’t seen them live, the members’ other bands keep them busy enough to make gigs uncomfortably rare.

Summer Classic #5: Summer Breeze

Yesterday’s double-header was an accidental one, today’s is on purpose.

My introduction to Seals and Crofts’ Summer Breeze was Type O Negative’s version, off their magnificent Bloody Kisses album of 1993.

Here’s both: the original harmony rock anthem, and the cover by the Brooklyn metallers.

Summer Classic #4: Alright

Alright by Supergrass. Quintessentially ’95.

Summer Classic #3: Skeleton Key

Skeleton Key by The Coral. Whose new album I need to pick up one of these days.

Summer Classic #2: Fly Away

No official video for Fly Away off Blackfoot’s 1982 Marauder. The song begins at around 2:20.

Summer Classic #1: Boys of Summer

Boys of Summer by Don Henley.

Tuska 2010 wrap-up

My Tuska ticket

  • Top 3: Megadeth, Overkill, Kamelot.
  • Not worth seeing: Nah, everything was worth a look.
  • T-shirt pricing: Not too bad, mostly around 20€.
  • Friends sighted/encountered/avoided: Less than ten.
  • Passed-out attendees: Surprisingly few, considering the temperature.
  • Time spent in the official beer-drinking area: None (backpack’s a bitch to smuggle in).
  • Imaginative outfits: None, really.
  • Money spent on: One shirt, four records.
  • Amount of dust: Considerable.
  • Top “I bet that’s going to cause regrets in the morning” sight: A guy whose bald head bore the text GAMBINA done with a wide black permanent marker.

To cap the festival, it was announced that on account of impending renovations in the Kaisaniemi park, Tuska will move to Suvilahti (where hipsters’ own Flow already takes place) next year. Not too big a deal I guess, at least the area is rather conveniently reached with the metro. The grounds were rather full this year, no idea how much room for expansion is in the new location.

Tuska 2010, day 3

Megadeth on stage in Tuska 2010Another day, another late arrival.

Planned to see Megadeth, everything else was icing on the cake.

And the icing was pretty thin this time around.

I’ve never been a fan of Cannibal Corpse, and the half an hour I saw the band today did not change matters. Uninteresting death metal with growly vocals just failed to appeal at all.

The penultimate slot was again split between two stages. Nile had a way bigger crowd. Big enough to deter from having a good spot to check them out. Acoustics from way down the side were sub-optimal and hence I refuse to give any verdict on them. [Amatory] on the other stage played decent nu-metal.

Megadeth was the main event for a lot of attendees based on the numbers in front of the main stage. They played some eighty minutes, and sadly did not cover the entire length of the classic Rust in Peace album that turns 20 years this summer.

The set list:

Wake up dead
In my darkest hour
Headcrusher
Skin o' my teeth
Holy wars
Hangar 18
Five magics
Poison was the cure
Tornado of souls
Dawn patrol
Trust
Angry again
A tout le monde
Sweating bullets
Symphony of destruction
Peace sells

Not as earth-shattering an experience as the previous sighting in Tampere three years ago, but a decent gig nonetheless.

Tuska 2010, day 2

Tuska 2010 main stageThe modus operandi of the second day followed the first, go in late and bail out before the last band finishes.

Devin Townsend Project‘s output seemed far more likable than Ziltoid the previous evening. Groovy, well-played and variable. Definitely worth a second look.

Survivors Zero played quite accessible death/thrash, with a Kreator-cover as the only recognizable element of their offering. Good enough to inspire me to pick up their single.

Kamelot‘s melodic power metal was accompanied by the heaviest pyro seen so far. The relentless display of burning kerosene probably was quite hard on the black-clad musicians on stage. Quite impressive, and worth a second look as well.

Overkill is a late eighties band that never made it big. And the guys have stayed angry and energetic ever since. All songs sounded mean and tightly wound. And that’s a compliment. Recognized a few of the old songs (Wrecking Crew, Rotten to the Core), and was very impressed by the energy and range put on Bobby Ellsworth – after all this is the third decade he’s been screaming his guts out.

Traded Overkill for Bloodbath around the halfway point of the gig. Mikael Åkerfeldt’s project played a few songs amidst long and rambling on-stage chats. Decent, but nothing really to get excited about – and yet another confirmation that death metal is not my cup of tea at all.

Nevermore replaced Mastodon as the headliner on Saturday. Warrel Dane wasn’t in the best form – sunshine in his eyes seemed rather distracting. Like so many other progressive metal bands, Nevermore just felt better off a record. Not on account of any desire to hear polished products.

Bought four records, no shirts, and nothing to eat or drink.

Tomorrow’s the time for Megadeth.

Double dose of Trent Reznor

The Nine Inch Nails frontman has been busy lately on non-NIN activities.

How to Destroy Angels just released their first record, a six song EP.

He will also provide the soundtrack for the upcoming David Fincher film The Social Network, a dramedy about the birth of Facebook.

Tuska 2010, day 1

Tuska 2010 logoSpent Friday evening in Tuska, the annual metal festival conveniently arranged in downtown Helsinki.

Walked in as two of the bands I wanted to see had been given concurrent timeslots. Swallow the Sun‘s melodic doom gathered fewer listeners than Pain‘s industrially overtoned metal. Both seemed to be in fine form, but neither was in their optimal environment. So, with fifteen minutes of each down, ambled down to the shirt vendors to check out the offerings.

Heard Satyricon from afar. Picnic trumped black metal. Mozzarella and reindeer were more interesting than corpsepainted norwegians. The music was not nearly as opposed to my tastes than I thought. Not the top albums on the “to get”-list, but not something to actively avoid either.

Ihsahn was the most unfamiliar element on stage, and didn’t really get a good dose, since walked off to the Inferno-stage to see Obituary, an old-school death metal band I first heard in the late nineties. Wasn’t truly impressed back then, and neither today.

The top billing of the day was Ziltoid the Omniscient, a stage production of Devin Townsend’s 2007 album. The concert was accompanied by video, too bad the only screen was diagonally opposite and mostly hidden by the mixing booth. Then again, the puppet show wasn’t too interesting anyway.

Bailed during the second half of the ZtO show, as the cat of the house demands food and petting before bedtime.

Rainbows in the Dark

Ronnie James Dio passed away yesterday.

Attached is one of the most influential music videos ever. Last in Line, with its fantasy-inspired video and a rollicking tune attracted me in the impressionable age of fourteen. And many many others as well.

I saw Dio only once. His band played by far the loudest gig on the Monsters of the Millennium tour. Not a small feat, considering that the lineup included Motörhead and Manowar.

Holy Divers and Sunset Supermen – the world is a poorer place, now.

Sanctuary returns

Sanctuary returns.

In a surprising press release Warrel Dane announced the reformation of tha band that disbanded after two records.

And there was much rejoicing.

And a considerable amount of interest on whether he’ll reach the high notes of Die for My Sins or Battle Angels.

Sanctuary, available again

Sanctuary discography on cdYay, Iron Bird records has republished the two Sanctuary albums on cd. I have both of them on vinyl, but cannot resist getting them in a package that’s far easier to use.

Warrel Dane went on to found Nevermore after Sanctuary split up. My preference for the original band might be just a question of forgetting the bad bits, but the 11 quids for the pair is not too steep a price for a trip down the memory lane.

OK Go goes

OK Go logoMissed this back in the day: OK Go, the band most familiar for its extravagant videos has severed its ties to the production company on account of a public fight over the distribution of said videos.

Black #1

Peter Steele passed away yesterday.

Saw Type O Negative live only once. 1993 in Club Zephyr in Salt Lake City. One of the finest gigs I’ve witnessed.

Guinness with the Boston's finest

Dropkick Murphys logoThe evening of a long and arduous workday was significantly sparked by two very topical things to celebrate St. Patrick’s Day: an appropriately warm Guinness (off a can, sadly) and a newly arrived copy of the new Dropkick Murphys‘ live album.

Indeed, Live on Lansdowne, Boston MA, the second live album from the celtic punk band features a score of songs mostly off their recent albums. Their first live album is already eight years old, and the intervening years have seen three new albums, all packed with songs that sound as good live as they do on the original albums.

The song selection is good. And I’ll definitely keep an eye out for five extra songs available only on iTunes.

Didn’t peek at the dvd yet – it seems to be the very same performance, but with such a strong show that’s hardly a disadvantage.

As expected, the seven shows played on the St. Patrick’s week in Boston are long sold out.